Despite all the shitty things manufacturers (especially printer manufacturers have done), actually using printers has gotten so much easier.
A few years ago you had to sacrifice a goat under a blue moon while reciting the installation instructions in backwards Latin to add a printer to a computer.
Now people can log into the Wi-Fi at my house on their phone for the first time and immediately click "Print" on their phone, pick a printer, and it just fucking works.
No special apps, no drivers, no "have disk" bullshit.
Actually it's not a printer this machine is much more sinister. A machine that is used to oppress people. They use this machine to devide humankind and go againt each other but don't let it distract you from the fact that in 1998, The Undertaker threw Mankind off Hell In A Cell, and plummeted 16 ft through an announcer’s table.
Hell yeah, I love that Mexican female pop that sounds like Electronica Cumbia that also features a rap verse. The music videos are about being hot and selling drugs but the vibes are impeccable.
I was the same way until about five years ago, then for whatever reason I started to hear the lyrics. Pumped-up kicks, I sang that song proudly without any idea what I was saying. Some things started to click and now wow.
Wait, as in you would sing gibberish words that sounded similar to the real words? Or you would sing along to the real words but they would go in one ear and out the mouth without stopping to process the meaning behind the sentence?
Because I've definitely done the former - I think that's how most people sing along to Smells Like Teen Spirit.
I never considered that some people know the right words to sing, but don't process them as language with meaning and intent.
Now you have me thinking. I've always said that I don't listen to lyrics but when I was a kid I listened to a lot of artists that are straight up comedy or lean that way (e.g. Barenaked Ladies).
I've started paying attention to music more in recent years, and I am shocked how much of it is about or related in some way, to sex. Like it all music made to have sex to? Like is this part of focus group work for songs??
The target audience for pop is mostly teens. If you would make a brilliant song about the environment or racism the group you would reach is cut so much that you already won't stick out in the crowd.
Unless your marketing team is A+, and even then they will advise more marketable lyrics.
Careless whisper is such a sexy song with that saxophone. 'Guilty feet have got no rhythm' definitely can't be a poetic device for not being able to get hard because you cheated on your partner.
I guess. Do a lot of people assume a song would never be based on such a dark or serious topic? I can imagine this being the case if this was the first song with a dark topic a person ever heard, perhaps. Maybe I’m just desensitized because I’ve heard a lot of music with dark themes.
The song does not favor shooting kids. It about creating awareness on the issue of gun violence and teen mental illness by showing things from the perspective of a school shooter.
As a former addict, it's deceptively catchy and upbeat nature really encapsulates how it'd feel to be that high on my week-long benders. The fact that it hit #1 too- literally at the top.
I was just at a wedding over the weekend. The live band played this Semi-Charmed Life right when everyone started getting up and dancing. Not even the radio edit, but the full version.
I present to you this song, which apparently based off a real story in which a girl live streamed herself getting into increasingly dangerous situations.
So, there is some interesting studies on the effect that sadness and depression have on music taste and ability to listen to the lyrics.
Quite literally it breaks down to people who are happy tend to just want to hear music and don't comprehend or want lyrically complicated songs. People who are depressed or at high risk for it tend to be more seeking more complex story telling and will be more aware of the lyrics.
Now why that is would probably win you science grant if you could quantify it. I think it comes back around a bit to "ignorance is bliss" a pretty accurate statement of the world that people that just don't know don't and don't care they don't know are already pretty happy or content with how they know existence to be and don't seek out more. While people more depressed are searching for kindred souls and the feeling of belonging and so listen for more of that empathetic response.
Now one of the other really interesting things of these studies is that heavy death metal music is in the same level as like alternative indie prog-rock for depression listeners, which I think really goes back to that desire to feel emotion and joined experience even if it's just rage or anger.
So, all that to say if you went from just hearing the rhythm to really digging the lyrics check in with your mental health cause it might be that you are seeking out more complex emotions and could be at risk for more serious emotional states.
Me personally I've always listened to the lyrics since I was a child.
It's a bit reductive to say the only emotion in death metal is anger. Death, the band so influential on the genre that it may or may not be named after them depending on who you ask, covers lyrical themes ranging from introspection on the difference between who you are and who you perceive yourself to be, to the existential dread of the Fermi paradox, on the same album.
Yeah I understand that it's reductive and heavy metal tends to have some of the most impressive technical work I have ever seen in music.
But I do mean anger in the sense of the dislike of how things are. While there seems to be a tone of sadness, it's really often angry at the fact that death is inevitable, anger at horrors of war, at capitalism, whatever and then played with all the emotional effort of someone trying to live fast and scream all the way to their hole in the ground.
So yes, to say metal is angry is reductive I feel it's a simple way to say "aware and unable to do much but scream."
It's music for catharsis if you find that in being loud, appearance, performance, metaphorically, whatever.
Most death metal I’ve heard seems horror-themed anyway. I’m not aware of many death metal bands who’s lyrics are primarily anger-themed.
Also, I‘m not sure anyone listens to death metal specifically for the lyrics.
Anyway, that whole “depressed peolle care about lyrics and happy people don’t” seems like a huge oversimplification overall anyway.
Source: I’ve been depressed my whole life, and I usually don’t care about lyrics, although sometimes I do. And it’s not necessarily when I’m more depressed, but rather if the lyrics noticeably good or bad I might notice, if I can even understand them.)
Ooh ooh. I could have lied is about Anthony Kiedis shooting his shot with Sinead O'connor of Nothing Compares 2 U fame, and her not being up for it, and shooting him down.
I loved that, because it's not the happy fairy tale ending or the triumphant hookup. She said no, he grieved, and put it to music. I suspect a lot of people know how he feels - rejected, humiliated, embarrassed, replaying it in his head.
*I could've lied, I'm such a fool! My eyes could never, ever, ever keep their cool. Showed and I told her how she struck me, but I'm fucked up now... *
That's art! If you're lucky, it makes you feel something. You weren't there, you didn't experience it but boy, do you know how he feels.
I guess I'm an outlier then. I've never really listened to songs for the lyrics, but the general feeling of the beat and melody, no matter if I'm depressed or happy. I often imagine a picture or a scene when listening to something. If I pay attention to the lyrics it's usually because of two extremes - either when it's so extremely fitting to the scene I envisioned that it surprises me, or the contrary.
Listen to it without the lyrics and see if you can catch it, the high pitch vocals are sort of hard to understand. Then watch along with the lyrics, both the song and music video really change once you know what it's about.
My interpretation
My interpretation is that the black hole represents fossil fuels and deforestation. We discovered what we could do with them, became reliant to the point we're unable to throw them away, and now we can only watch as animals, trees, and loved ones get sucked in by the consequences.
God that is so me. I've been listening to music for decades and have no idea what the lyrics are, for pretty much any song ever written. It's all percieved as sounds to me.
I think that's why I dislike the major of country music. Country music is all (mostly) about story telling and I couldn't care less about what is being said in music.
That's a generous interpretation of the situation. I think it's more likely that it just sucks. There's good country music out there but most of what gets played on your local country radio station is shallow music for shallow people. Formulaic, uninspired, and boring as hell.
I know what the lyrics are but have not a clue what they mean. I can tell you all the words. But comprehend them? Nah. There is nothing but fluff and vibes between these ears. No processing going on whatsoever.
I seem to have difficulty interpreting thoughts and feelings to/from spoken language. Sometimes when asked a question I have to pause for a moment to parse things. Then the other person interprets that pause into some kind of unintended meaning when really I was just struggling to form words.
Oddly, I don't seem to have this problem while writing. Must be some part of the brain that does that task and mine is screwy.
I'm only bringing it up because others in this thread may be able to relate.
Glad I'm not alone, I try to listen to lyrics but am much more into the sounds and feelings of the instruments and voices. I always feel like I'm doing the songwriters a disservice but I spoke to a musician and she said as long as I get an emotional response one way or another, they have done their job :)
Most of Streetlight Manifesto's songs are like this. Incredible music, dark and/or philisophical lyrics.
"This is a total bop, the horns are on point, and- oh, it's about not knowing your place in the world. What about this one? Sounds super awesome, shit. It's about the singer's mother dying of cancer. Wait, this slaps anyway, adding to playlist!"