Which songs from the last decade (2014-2024) will become classics?
So far I think "Uptown Funk", "Blinding Lights", and "Old Town Road". That doesn't mean I love those songs. It means I think they answer the question. I know you may love "Irony x3" by Zigbones. But they ain't it.
Edit: I'm sorry for the poorly worded question. I think it's autism related, but I don't see possibilities or alternative understandings easily, and when I wrote "decade" I thought 10 years and that was it.
Of course anyone answering from the perspective of 2010-2020 was making a perfectly reasonable and rational answer and I was very dismissive. I'm really sorry for that.
your wording was a tad ambiguous. it is possible that the above commenter thought you were asking about the last decade, as in the 2010s, rather than the last decade, as in the ten years immediately preceding today (roughly 2014-2024)
Also, for anyone over 35, our ability to understand “last decade” means the last 10 years, decreases over time. I read this question and still thought about songs that came out 2009.
I think that is up for interpretation a little bit. "The last decade" I think grammatically it means the last 10 years. In this case 2014-2024. But I am so used to it referring to the years ending in zero that my head immediately goes to 2010-2020 not 2014-2024. Especially in the context of music. Music is historically is reference as the years ending in zero 60s, the 70s the 2000s 2010s etc..
I think I disagree. Only a very small subset of music from the decade permeated my oblivion of modern music. I expect the songs that managed to do that are the ones that will be remembered. I agree with OP's list, I know those songs.
Nothing too niche or topical. Has to have some sort of timeless quality, meaningful lyrics and emotional resonance. Not a "fad" genre, a sea shantey won't do (yes its centuries of tradition but in it's old form it isn't mainstream). Cultural impact which means it will moat likely be from your mainstream artists, taylor swift, kanye west, maybe billie eilish gets there. I also think it's probably going to be more women defining an era of music than ever before.
Added advantages, either something that was early in a musical tradition or helped it peak, we've seen this with classics in the moat recent big genre, rap.
As for the tiktok songs. We don't know how internet virality affects the legacy of these songs. A lot of the earbugs are shallow short bits. I'm going to ignore those, otherwise I think some of the smarter songs will maybe be appreciated a little while later too.
So my list:
Royals by lorde
Rolling in the deep by adele
Runaway by Kanye
Sign of the times by harry styles
Hotline Bling by drake, i'm 50/50 on this one
All Too Well/ Blank Space by Taylor Swift
Alright by Kendrick Lamar
Formation by Beyonce
Teenage Dream by Katy Perry
Chandlier by Sia
Uptown Funk Mark Ronson 50/50
Let It Happen by Tame Impala
Nights by Frank Ocean
I think a couple of these are pre 2014 tho. But are within the last 15 for sure.
I'm not really in tune with nowadays music, but I think Rag'n'Bone Man's Human goes in there automatically, it's in every playlist.
I guess we'll have to put Imagine Dragons in there somehow, I think both Believer and Bones are a good fit.
I remember an article that used (Spotify?) play trends to project this, and at the time they thought Pompeii by Bastille would be the one with longevity, while a few other hit songs by big names would be forgotten. I can't find it now.
IIRC the basic idea was that genuinely memorable songs peak less hard and only fade very slowly, while trendy songs crash as everyone moves on to the next shiny thing marketers put out.
If I put my old man hat on, I'd say none. I think the idea of "classics" is dead. I also think most modern mainstream music is terrible. But hey what do I know.
Any music of any genre other than reggaeton and trap. Their "hit songs" rarely manage to survive more than 5 years in the collective thought of the masses, then they become "background noise" in nightclubs, supermarkets, squares and other meeting places, overshadowed by the disposable "hit of the moment".
In the communities where this music is popular, there are definitely a lot of classic songs coming out that aren't just background noise, and they actually turn up the clubs.
To people outside of these communities it might seem like they only survive 5 years, but if you're inside you'll recognize patterns in songs that keep coming up and that people listen to the most. That's what really makes them classics, not just random people on Lemmy deeming them as such.
Bad bunny, El Alfa, Tokischa, Chucky73, RaiwAlejandro, and Daddy Yankee have all been relasing songs that the community will remember for a long time and deem classics. Reggaeton is going through a second, smaller, golden age and it will be remembered.
I'm Latin American, I grew up in this, it's part of my culture, that's why I know where all this is going (about musical genres). I'm not an "outsider".
Your comment sounds a bit racist ngl
You have no idea what you're talking about, right?
Jesus I hope uptown funk wouldn’t be considered a classic of the era.
Radiohead, Fiona apple, lcd soundsystem, the roots…there are a lot of great jams from truly timeless bands and artists that I think will ultimately hold up better than the pop megahits.
As an avid Gorillaz listener, I don't think they have put out what we would define "a commercial hit" in the past decade, at least not at the same level of the singles from the first two albums.
That said, I love the collaborations they did with Thundercat and Stevie Nicks in the last record, it should deserve way more recognition than what it had
I think the last decade has about 10-15 classic songs (e.g. rolling in the deep, get lucky etc), but that's nothing compared to the '80s, where the classic songs measure upwards to 700. There is cultural stagnation in the last 10 years, particularly after the death of the indie music as a vehicle for innovation (i.e. the Pitchfork golden era of 2008 to 2012 where indies became the next hot thing). I could say the same for movies. For me, the highest point of cultural significance, was 1984 (more precisely, the last 3 months of 1983, the whole of 1984, and the first 6 months of 1985, ending with the Live Aid). That's the most classic, highest point IMHO for both music and movies, where pretty much what was getting released, was becoming an instant classic. Basically, most of it was good, rather than bad with exceptions. There are a few articles online talking about the same thing as I did here, and there's also a couple of books, all recognizing 1984 as THE year of culture. Today, we're running on fumes.