Carter built houses for 4 decades after his presidency mismanaged the Iran hostages, energy crisis, and 70s inflation (though I’m not sure he deserves credit for the last one).
Bush is eating playing with paint and hiding from his mismanagement of the 9/11 attacks and subsequent unrelated war he started.
He committed countless war crimes and other atrocities, the effects of which will be painfully felt by hundreds of millions of people for the rest of their lives. Then he started painting.
Too bad he didn't pursue an art career and opted to destroy the world instead. Having been born independently wealthy, he could have made it in the art world easily.
It's like this is your first time seeing a picture of the man. I'm not sure that he's ever appeared to know wtf he was doing in any situation. Every picture of him could have a speech bubble saying "I just got here. What's going on?"
Le Demoiselle de Avignon may be a revolting exploitation and sexist display by a renowned, womanizing misogynist, but it’s also a fantastic example of form, style, cubism, an illustration of the shift from art nouveau to art deco, and, frankly, a celebration of the female form. I’ve even heard it argued that it empowers sex workers, although I’ve also heard some fierce debate about that.
My point is that, when exercising the nuanced discretion of “separating the art from the artist”, the “art” in question should, at least, be of sufficient redeeming value to consider overriding the distaste for the artist in order to consider the value of the art, especially when considering the overall contributions to art (on the general sense) made by the artist in question (nobody reasonable would dare question Picasso’s contributions to the art world, for example, despite home being a contemptible person).
W. Bush, on the other hand, is no Picasso— and even Picasso, the shitbag he was, was no war criminal. And he certainly hated fascists.
The only thing I would disagree with in this take would be who are you to judge what is and isn't of sufficient redeeming value to override to state of the artist? I would argue that art by definition is subjective and as such making any objective arguments or claims to discredit an artwork simply due to its creator is therefore invalid.
I’m not going to say it’s not “art,” but this is basically the level of sophistication that parents get from their kid to hang in their diner. If this was actually painted by anyone who wasn’t the ex-president, it wouldn’t be noticed by anyone, much less exhibited.