Rachel Gunn, aka Raygun, says she will no longer compete in the sport of breaking after the vitriolic reaction to her performance at the Paris 2024 Olympics.
Rachael Gunn, aka Raygun, said she would no longer compete as a breaker following her much-ridiculed Paris 2024 Olympic performance.
Gunn said it was "impossible to process" the impact of her performance.
Yeah, I don't know enough about breakdancing to really weigh in, but the criticism seemed overblown to me. She was maybe not as good as the other competitors, but not quite to the degree of "should be ridiculed into never competing again". Then again, even if it would have been the worst performance I saw, it wouldn't warrant that level of ridicule really. That's just not cool.
She didn't deserve the hate for her performance, but thankfully it turns out she's a complete asshat who got there because of nepotism, and she is actively erasing other styles from being represented because her federation is either racist or too full of itself to show other form of art besides the one her husband invented.
I think it's moreso the fault of the Olympics trying to create a new sport in such a small amount of time. One thats based on a subjective art that didn't have a long history of regulated competition.
The reason we didn't get the absolute best break dancers from every nation is simply because there wasn't an established organization that was already holding regulated competitions.
I think the issue was not so much that she was worse than other Olympic competitors, it's that she was clearly not the best from Australia. That was the part that was and should be criticized. She took a spot from people who deserved it much more.
I have to admit, her hilite was the first thing I saw about it, and it was enough to make me not want to take any of it seriously, so I didn't bother watching at first. I only went back and watched replays later after hearing someone else comment about how impressive most of it actually was...
Every move was supported by multiple points of contact with the ground. There was little strength or momentum control displayed. The relation to the beat was marginal. It was interpretive yoga.