cross-posted from: https://sh.itjust.works/post/32623445

> This hair color wheel visually represents the underlying pigments naturally present in human hair at different levels. These pigments are revealed when hair is lightened: > > Underlying Pigments by Hair Level: > - Level 2 (Darkest Brown/Black): Deep Red > - Level 3 (Dark Brown): Red > - Level 4 (Medium Brown): Bright Red > - Level 5 (Light Brown): Red-Orange > - Level 6 (Dark Blonde/Light Brown): Orange-Red > - Level 7 (Medium Blonde): Orange > - Level 8 (Light Blonde): Gold (Yellow-Orange) > - Level 9 (Very Light Blonde): Yellow > - Level 10 (Platinum Blonde): Pale Yellow > > ### Complementary (Opposite) Colors for Neutralization: > Every underlying pigment has an opposite (complementary) color on the color wheel. These opposite shades are used to neutralize unwanted warmth when toning or adjusting hair color: > > - Deep Red (Level 2) → Opposite: Green (Neutralizes dark red tones) > - Red-Violet (Level 3) → Opposite: Green (Balances red hues) > - Red (Level 4) → Opposite: Green (Cancels strong red undertones) > - Red-Orange (Level 5) → Opposite: Blue-Green (Neutralizes warm red-orange tones) > - Orange-Red (Level 6) → Opposite: Blue (Cancels orange-red warmth) > - Orange (Level 7) → Opposite: Blue (Neutralizes brassy orange tones) > - Gold/Yellow-Orange (Level 8) → Opposite: Violet-Blue (Balances warm golden hues) > - Yellow (Level 9) → Opposite: Violet (Tones down bright yellow tones) > - Pale Yellow (Level 10) → Opposite: Soft Violet (Gently cools down any remaining warmth for a platinum finish) > > How to Use This Wheel in Hair Coloring: > Understanding underlying pigments and their complementary colors is essential for achieving balanced, natural-looking hair color results. When lightening hair, unwanted warmth can be controlled by selecting the opposite shade on the wheel: > > - Want to neutralize brassiness? Use blue or violet-based toners. > - Want to enhance warmth? Choose a shade with gold, copper, or red tones. > - Going from dark to light? Expect underlying pigments to shift in this predictable order—and plan toning accordingly. > >

cross-posted from: https://sh.itjust.works/post/32623445

> This hair color wheel visually represents the underlying pigments naturally present in human hair at different levels. These pigments are revealed when hair is lightened: > > Underlying Pigments by Hair Level: > - Level 2 (Darkest Brown/Black): Deep Red > - Level 3 (Dark Brown): Red > - Level 4 (Medium Brown): Bright Red > - Level 5 (Light Brown): Red-Orange > - Level 6 (Dark Blonde/Light Brown): Orange-Red > - Level 7 (Medium Blonde): Orange > - Level 8 (Light Blonde): Gold (Yellow-Orange) > - Level 9 (Very Light Blonde): Yellow > - Level 10 (Platinum Blonde): Pale Yellow > > ### Complementary (Opposite) Colors for Neutralization: > Every underlying pigment has an opposite (complementary) color on the color wheel. These opposite shades are used to neutralize unwanted warmth when toning or adjusting hair color: > > - Deep Red (Level 2) → Opposite: Green (Neutralizes dark red tones) > - Red-Violet (Level 3) → Opposite: Green (Balances red hues) > - Red (Level 4) → Opposite: Green (Cancels strong red undertones) > - Red-Orange (Level 5) → Opposite: Blue-Green (Neutralizes warm red-orange tones) > - Orange-Red (Level 6) → Opposite: Blue (Cancels orange-red warmth) > - Orange (Level 7) → Opposite: Blue (Neutralizes brassy orange tones) > - Gold/Yellow-Orange (Level 8) → Opposite: Violet-Blue (Balances warm golden hues) > - Yellow (Level 9) → Opposite: Violet (Tones down bright yellow tones) > - Pale Yellow (Level 10) → Opposite: Soft Violet (Gently cools down any remaining warmth for a platinum finish) > > How to Use This Wheel in Hair Coloring: > Understanding underlying pigments and their complementary colors is essential for achieving balanced, natural-looking hair color results. When lightening hair, unwanted warmth can be controlled by selecting the opposite shade on the wheel: > > - Want to neutralize brassiness? Use blue or violet-based toners. > - Want to enhance warmth? Choose a shade with gold, copper, or red tones. > - Going from dark to light? Expect underlying pigments to shift in this predictable order—and plan toning accordingly. > >

This hair color wheel visually represents the underlying pigments naturally present in human hair at different levels. These pigments are revealed when hair is lightened:

Underlying Pigments by Hair Level:

• Level 2 (Darkest Brown/Black): Deep Red
• Level 3 (Dark Brown): Red
• Level 4 (Medium Brown): Bright Red
• Level 5 (Light Brown): Red-Orange
• Level 6 (Dark Blonde/Light Brown): Orange-Red
• Level 7 (Medium Blonde): Orange
• Level 8 (Light Blonde): Gold (Yellow-Orange)
• Level 9 (Very Light Blonde): Yellow
• Level 10 (Platinum Blonde): Pale Yellow

Complementary (Opposite) Colors for Neutralization:

Every underlying pigment has an opposite (complementary) color on the color wheel. These opposite shades are used to neutralize unwanted warmth when toning or adjusting hair color:

• Deep Red (Level 2) → Opposite: Green (Neutralizes dark red tones)
• Red-Violet (Level 3) → Opposite: Green (Balances red hues)
• Red (Level 4) → Opposite: Green (Cancels strong red undertones)
• Red-Orange (Level 5) → Opposite: Blue-Green (Neutralizes warm red-orange tones)
• Orange-Red (Level 6) → Opposite: Blue (Cancels orange-red warmth)
• Orange (Level 7) → Opposite: Blue (Neutralizes brassy orange tones)
• Gold/Yellow-Orange (Level 8) → Opposite: Violet-Blue (Balances warm golden hues)
• Yellow (Level 9) → Opposite: Violet (Tones down bright yellow tones)
• Pale Yellow (Level 10) → Opposite: Soft Violet (Gently cools down any remaining warmth for a platinum finish)

How to Use This Wheel in Hair Coloring: Understanding underlying pigments and their complementary colors is essential for achieving balanced, natural-looking hair color results. When lightening hair, unwanted warmth can be controlled by selecting the opposite shade on the wheel:

• Want to neutralize brassiness? Use blue or violet-based toners.
• Want to enhance warmth? Choose a shade with gold, copper, or red tones.
• Going from dark to light? Expect underlying pigments to shift in this predictable order—and plan toning accordingly.

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