The Lord of the Rings: A Musical Tale review – the greatest show on Middle-earth | (The Guardian) archive.ph

A formidable cast journey through folk via Bollywood to pop – not to mention mountain treks and orc attacks – in a compressed revival of the 2007 musical

First seen in the UK in 2007 at London’s Theatre Royal Drury Lane – a 1996-seat theatre – the show is revived at the 220-capacity Watermill. This means that Simon Kenny’s design and Anjali Mehra’s choreography are a theatrical equivalent of stunts designed to find how many people can fit in a Mini.

...During the long sections inside the tiny theatre, they cram in battles, orc attacks, treks across land, over mountains or through caves and lavish production numbers involving 20 actors or musicians (several performers also play instruments).

...speech and score sometimes feel more competitive than complementary.

The songs, though, move with enjoyable eclecticism through folk via Bollywood to pop, echoing the musical backgrounds of the Indian/Finnish/Anglo-American compositional team of AR Rahman, Värttinä, and Christopher Nightingale.

But the cast is a blast.

The original London run is more known for losing money than winning friends. On a stage about 30 times smaller – with budget presumably reduced proportionately – this spectacle of compression, by aiming small, brings big rewards.