MAGA "victimhood" is a major recruitment tool for violence
MAGA "victimhood" is a major recruitment tool for violence
"The sense of loss is a major driver for recruitment," explains Dr. Emily Bashah
Highlights: One of the defining features of the rise of American neofascism is violence. This is in no way surprising: violence is one of the primary tools that enemies of democracy use to impose their will, undermine institutions, and prevent the types of consensus-seeking that's foundational to a healthy democracy and society. Contrary to what right-wing leaders and their disinformation media would like to suggest, this violence is not on “both sides.” The data and other evidence show that political violence and extremism in the Age of Trump (and from the late 1980s to the present more generally) is a phenomenon almost exclusive to the right-wing and “conservative” movement.
National security experts and law enforcement are continuing to warn that right-wing political violence as seen on Jan. 6, in mass shootings and other acts of terrorism, hate crimes, and other such actions – up to an including the possibility of a sustained insurgency to remove President Biden and the Democrats from power – is the greatest threat to the country’s domestic safety and security.
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Orwell on Hitler:
It is a pathetic, dog-like face, the face of a man suffering under intolerable wrongs. In a rather more manly way it reproduces the expression of innumerable pictures of Christ crucified, and there is little doubt that that is how Hitler sees himself. The initial, personal cause of his grievance against the universe can only be guessed at; but at any rate the grievance is here. He is the martyr, the victim, Prometheus chained to the rock, the self-sacrificing hero who fights single-handed against impossible odds. If he were killing a mouse he would know how to make it seem like a dragon. One feels, as with Napoleon, that he is fighting against destiny, that he can’t win, and yet that he somehow deserves to. The attraction of such a pose is of course enormous; half the films that one sees turn upon some such theme.