Netflix’s New Film Strategy: More About the Audience, Less About Auteurs
Netflix’s New Film Strategy: More About the Audience, Less About Auteurs
Dan Lin, the streaming service’s new film chief, wants to produce a more varied slate of movies to better appeal to the array of interests among subscribers.
This is the best summary I could come up with:
Still, the paycheck and the latitude — and the potential to reach the streaming service’s huge subscriber base — helped compensate for the lack of hoopla that comes when a traditional studio opens a film in multiplexes around the world.
Now that Netflix has emerged as the dominant streaming platform, it no longer has to pay top dollar to lure auteur filmmakers like Martin Scorsese, Alfonso Cuarón and Bradley Cooper.
And Scott Cooper, who directed “The Pale Blue Eye” for Netflix in 2022, is taking his highly anticipated Bruce Springsteen biopic, starring Jeremy Allen White, to 20th Century.
Edward Berger — who directed “All Quiet on the Western Front,” which won four Oscars, for Netflix — has been complaining that the service is demanding budget cuts on a film he’s trying to put together with Colin Farrell, according to three people with knowledge of the deal, who spoke on the condition of anonymity because of the delicate situation.
Shortly after Mr. Stuber left the company, Bela Bajaria, Netflix’s chief content officer, gathered members of the film staff in a conference room and told them that the quality of their movies needed to improve, according to three people with knowledge of the meeting, who spoke on the condition of anonymity to describe internal communications.
The hope is that with a renewed focus, Netflix may greenlight movies that the studios would say no to, and provide a home for more romantic comedies and midbudget character studies in Hollywood’s shifting landscape.
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